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Bad Ass Body Painting Stencil BAD 6078 BONEHEADZ

$24.95

Great two-step stencil to apply both base and detail! Click ‘More info’ below for more info 🙂

Approx size of stencil: 20 x 30 cm

In stock

Features

Create the perfect texture, pattern or design in seconds!

Each BadAss Stencil was intricately designed by award-winning makeup artist and body painter Andrea O’Donnell.

Each stencil sheet features several thematically related design elements,  patterns, textures and artistic edges, that allow you to create multiple designs with just one sheet.

  • Size: Each stencil is on a template about 20 x 30 cm (A4). Exact dimensions may vary slightly due to irregular stencil shapes.
  • Design: BAD6078

These stencils are laser cut from durable,  yet flexible,  7 mil (0.007” = 0.18mm) mylar plastic. About the thickness of card-stock, it is thin and flexible enough to achieve outstanding detail when stencilling, yet strong enough to clean and use many times.

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About Bad Ass Stencils

Bad Ass Stencils are designed by award-winning body painter Andrea O'Donnell. Andrea O'Donnell has been creating beauty in various forms for over 25 years.

In 2004, after more than a decade of working primarily with runway fashion shows, special events and weddings in the salon/spa industry, Andrea combined her love of paint, art and colour with her skill, experience and knowledge in makeup artistry, and began focusing on creative, intensely colourful makeup and body paint applications for editorial shoots, studio projects and live events.

In 2010 Andrea designed and launched Bad Ass Stencils, a line of multi-tasking tools created specifically for body painters, which quickly became one of the most popular products in the face and body art world. Today, the Bad Ass Stencils brand is sold all over the globe, and includes various expansion products such as Bad Ass Minis (BAMS), Half Ass Stencils, BAM PAX, Copy Cat and Triple Threat stencils.

Andrea’s work has been published numerous times both nationally and internationally, and she has been honoured with many awards for her art, including multiple First Place and People's Choice wins at the 2009, 2011 and 2012 Face and Body Art International Conventions among others, but through all of these successes, her goals have remained the same - to bring awareness to, and represent body painting as a valid art form; to help all artists work smarter, not harder; and most importantly to always “Do what you love, and love what you do!”

Bad Ass Stencils
Andrea ODonnell
Stencil Usage Tips

Face painting stencils take any face painting design to another level of wow! They can be used on their own or over a simple background or rainbow for a super quick and easy face paint. Or they can be one part of a more complete design, adding intricacy, efficiency and accuracy to any design, while cutting crucial minutes off the time taken per person.

Face painting stencils really come into their own when you load your sponge from a split-cake - whether a rainbow or a blend of realistic colours - and use this with the stencil to create a multi-coloured silhouette - something that would take an hour or forever to create free-hand! Some designs will look even better if you then outline in black (after taking stencil off) - as easy as tracing. Then add any other details like eyes and highlights, a smattering of glitter, and it will look like a work of art for a couple of minutes work!

Usage Tips:

  • Can be cleaned with baby-wipes, soap & water, or alcohol.
  • Can be used with paint, temporary tattoo ink or dry powders.
  • Use a sponge or spouncer to apply the paint. Spouncers are small, round sponges ideal for small stencils as it's easier then to keep within the borders of the stencil.
  • To create a 3-D effect apply one colour, allow to dry, then apply second colour with the stencil slightly to one side, higher or lower.
  • Get creative and try combining more than one stencil into a design for extra wow factor.
  • For stencils that have a number of designs or parts close together, you can hold a small piece of blank plastic/mylar over the parts you don't want used. You can buy an A4 blank sheet of mylar and cut it into smaller pieces for this purpose.

To avoid the paint bleeding or smudging:

  • Make sure the base coat of paint is dry before stencilling over the top
  • Hold the stencil firmly against the skin. For a larger stencil, walk your fingers around the stencil to press it flat against the skin close to where you are sponging.
  • Apply a small amount of creamy, not watery paint
  • Use with professional ‘cake’ face paint (eg. TAG Body Art) so that you can ensure it’s not too runny
  • Dab, don't wipe or brush the paint on
  • Clean & dry the stencil between uses

To clean the stencil:

  • You can wipe it clean with a ‘baby wipe’. Be careful not to snag pointy bits. I like to sandwich the stencil between two wet wipes, or even two dry tissues, laying it all on a flat surface. I lay my whole hand on top and gently rub back and forth a little. It doesn’t take much.
  • Alternatively, you can run it under a tap and simply wipe the paint off with your fingers and the water. A little soap can help too. Then blot gently with a dry cloth.
  • When you’re on the job and really pressed for time, you can often get away with simply blotting the paint on the stencil dry between uses, if you’re re-using it with the same colour.
  • If you find a stencil becomes stained with colour that soap or a wet wipe won’t remove, try an antibacterial wipe

For more ideas on using stencils in your face painting designs see this page.